Your next creative video editor.
for video edits so sane, it’s insane ⤵︎
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*as of 13 March 2026
SELECTED WORK
Big Ole Freak (Heated Rivalry)
Big Ole Freak – Megan Thee Stallion (Heated Rivalry)
Often dubbed the “Google Drive edit,” this viral fan montage pairs Megan Thee Stallion’s “Big Ole Freak” with rhythm-driven cuts and signature orange lyric typography. This fan-edit-turned-urban-legend now circulates through clubs worldwide and even caught Megan Thee Stallion’s attention.
View case studyIndustry x Succession Style Swap
Industry x Succession Style Swap
What if Industry opened like Succession? Using the original score and vintage film textures, the edit reframes the show’s high-stakes world through the familiar style of Succession‘s opening sequence.
View case studyWild Geese (Severance)
Wild Geese – Mary Oliver (Severance)
A melancholic character study of Helly from Severance, set to Mary Oliver’s poem “Wild Geese”. Through text overlays and layered imagery, the edit reflects Helly’s arc of selfhood and the permission to exist imperfectly.
View case studyBerghain (Frankenstein 2025)
Berghain – Rosalía (Frankenstein 2025)
Rosalía’s track “Berghain” underscores a visual meditation on Frankenstein and the creature he brings to life. Through mirrored imagery and slow, atmospheric cuts, the edit blurs the line between creator and creation, and caught the attention of Guillermo del Toro himself.
View case studyJudas (Interview with the Vampire)
Judas – Lady Gaga (Interview with the Vampire AMC)
Using Lady Gaga’s “Judas” as its backbone, this edit reinterprets Armand’s betrayal of Louis (AMC’s Interview with the Vampire) through a biblical lens. Public domain religious paintings are intercut with the series to create visual comparisons between sacred iconography and the show’s tragic arc.
View case studyDracula (Heated Rivalry)
Dracula – Tame Impala (Heated Rivalry)
A rapid-fire Heated Rivalry montage set to the instrumental intro of Tame Impala’s “Dracula”, built from quick, rhythmic match cuts and fragments of dialogue. In just 21 seconds, the edit exposes the stakes of Ilya and Shane’s secret relationship.
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about the editor
I'm a creative video editor with a lifelong engagement with fandom and a deep understanding of how audiences connect with character and story.
Drawing on a background in comparative literature (MA Sorbonne University, 2020), my work explores intertextuality, symbolism, and character dynamics through fan edits. Self-taught and working primarily in Capcut and Premiere Pro, I combine literary thinking with rhythmic and visual experimentation.
My edits range from reflective character studies to high-energy conceptual pieces. I'm especially drawn to projects involving trailers, promotional storytelling, and music-led visual narratives.
For professional inquiries, please use the contact form or email hi@margsedits.com. You can also find social links and updates via my links page.
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